Posts Tagged ‘Jasmine Murray’

Top 13 Results: Fixing What Isn’t Broken

Thursday, March 12th, 2009

In a season where the main complaint has been blatant manipulation by the producers and judges, the hyped “twist” to the rules involves… increased influence by those same individuals responsible for causing the Idolsphere sudden bouts of anger and annoyance. I couldn’t make this up if I tried.

For those who missed the results show, here’s how it goes. From now until the top 5, the judges can decide once to “save” who should be going home. All four judges have to agree to “save” someone, however – it cannot be a split verdict.

The official spin is that this is to meant to stop the “shock boots” – examples given were Chris Daughtry, Michael Johns, and Jennifer Hudson. If you actually believe that, I have a bridge to sell you.

Before I go any further, let’s get this out there: the invocation of Chris Daughtry to justify this rule was completely ridiculous. Last I checked, Daughtry went out at… top 4. According to Ryan Seacrest, the judges can only save someone until the top five. Unless they suddenly changed mathematics – and I wouldn’t put it past the Idol producers to try that – four is less than five. Complete and utter fail.

Back to the meat of the issue. If you’ve been reading us or many of the other Idol writers that actually think and don’t swallow what 19E and Fox PR agents say, you should know by know that shock boots… aren’t, if you know what to look for. These aren’t just made-up reasons either; they’re good, logical reasons why someone would leave.

Consider: Michael Johns got held up as another example of someone leaving too soon, but he wasn’t. I’m frankly mystified that he’s being held up as an example of this super-good singer anyway; here’s what I said about him last year:

he had a tendency to turn songs into flavorless, generic songs that weren’t bad, but couldn’t be described as memorable. There was nothing in his performances that could make you point and say “that’s Michael, right there.”

As for the other cited examples, there were good reasons for those departures too. Jennifer Hudson? Vote-splitting – America wants diversity in its contestants, and she wasn’t in the same league as either Fantasia Barrino or LaToya London. Chris Daughtry? Setting aside the fact that this new rule change wouldn’t apply to him, he had little crossover appeal at the time. Success on Idol is a lot about having just that, and at the time he had precious little. (His Top 4 performances weren’t much to write home about, to boot.)

I could go on a lot longer, and point out why all of these shock boots really weren’t. I could also point out why none of them would probably have won either. In the end, though, what matters is this: in the long run, the Idol voting audience gets it right. They’re relatively unbiased, and I trust them more than I ever would the judging panel.

So, in effect, this rule change is “fixing” something that isn’t really broken anyway. Now, I’m not a paranoid conspiracy theorist, but you don’t have to be one to know the Idol PTB didn’t do this out of the blue. So, let’s take a look: who wins under this setup?

The winner here is obvious: the producers. Again. So far, they’re the only ones winning this season. Everyone else – contestants, viewers, voters – has lost. What does this mean? You guessed it – this is another new and improved way to manipulate the results. Great.

It’s a safe bet that this save will not necessarily be used for the best contestants, but who the producers – and judges – like the most. The likely winners of this are contestants who the judges like, but America may eventually tire of. In short, it’s another way to keep the Pimped in the spotlight for one more week – and hopefully more, since the fanbase of a saved contestant is going to vote like there’s no tomorrow the next week.

The best thing that can be said about it is it’s better than the rumors of a Sing For Your Life-style boot. That would have been an utter disaster; it would turn Idol from a competition into a coronation. I doubt the American viewing public would tune in to that.

We really are in strange times: If you needed further proof of the strangeness of the season, guess who the best judge was last night. You can make a decent case it was Paula. She was a bit over the top for both Danny Gokey and Adam Lambert, but otherwise? She was spot on most of the time. The question of will-she-or-won’t-she-stay is always around Paula, but I like this new-and-improved Paula Abdul.

Speaking of the judges… two points about Simon this week. First of all, it’s one thing to go after contestants; going after families is inexcusable. Yet that’s exactly what Simon did with Kris Allen. It’s not really mentioning Allen’s wife herself that annoyed us, it was the throwaway mention of her, with no care, as if she was just a thing. Really, Simon, you know better than that. Poetic justice would have been either Kris or his wife hitting Simon right on the head with the guitar.

Meanwhile, his comment to Scott Macintyre was an Unintended Learning Moment. That comment about not being “artsy” on Idol… really? I’ve seen plenty of good, artistic performances before. If Simon apparently thinks that artistry has no place on Idol and is more powerful backstage with Nigel Lythgoe’s departure… well, I think we can all say who deserves a large chunk of the blame for what’s happened this year.

Cannon fodder defined: Eliminations this early don’t really require a great deal of analysis. There’s a noticable gap between the good singers who deserve to stay, and those who don’t. This week was no different.

The question with Jasmine Murray isn’t so much why she left now, it’s more like how she got this far. The judges have had this entirely irrational love affair with Jasmine as a “package artist”. It’s obvious why: Jasmine is young, good-looking, likable – she has all the intangibles needed to succeed. Unfortunately, she couldn’t really sing that well. At all. At least America had the sense never to advance Murray. She’s the modern-day equivalent of Leah LaBelle.

What about Jorge Nunez? He was an okay to good singer, but he had a charisma deficit. He just couldn’t engage viewers as well as anyone else. It didn’t help that a lot of people thought his performance on Tuesday night was bad, and the judges didn’t mince their comments. Idolmetrics – specifically, song age – weighed in too. He had the highest median song age of the whole top 13, by a pretty wide margin. At 36.5 years, his only “competition” was Alexis Grace (31.5) and Adam Lambert (31). Grace and Lambert, of course, are actually pretty good. Nunez isn’t in that category.

Oh, and aside here. This crop of finalists is, so far, singing very young. After Lambert, the next highest median song age belongs to Matt Giraud – only 26, and an even lower average of 22.33. Some of it can be attributed to the theme – Michael Jackson is pretty recent, as far as Idol picks go. I still maintain that singing young songs is better, all other things being equal, than old ones. It’ll be interesting to see if this crop can continue this going forward.

Top 13 Performance Night: Lucky Thirteen? Maybe. Maybe Not.

Wednesday, March 11th, 2009

Somehow, doing Michael Jackson for Idol this year seems strangely appropriate. Once upon a time, Michael Jackson was known primarily for his music. When he makes the headlines nowadays, it’s more likely for whatever act of jaw-dropping stupidity he’s done now instead of what he was once very good at, the music. Similarly, most of the Idol-related news of late has not been about the music either, but instead on what illegal drugs the producers are on.

It was, by far, the best show of the season. That’s not exactly saying much, but to be fair it was a watchable episode for all two hours. There were plenty of good performances, and even the trainwrecks were amusing to watch. It helped wash away any bad taste from last week’s sham wildcard show, although I have a very bad feeling that this time tomorrow the whole Idolsphere will be even more pissed at the producers than  last week. (More on that later.)

Best of the night was Danny Gokey. It wasn’t just his good vocals and his good performance that put him here, although it certainly helped. What set Danny apart was that his was possibly the only one last night who was “balanced” – his singing was as good as his performance, and vice versa. Unlike some of the others who turned in somewhat by-the-book and lackluster performances, Gokey gave it his all. Well done.

There were three others who were pretty good, too: Alexis Grace, Lil Rounds, and Adam Lambert. Let’s deal with this trio one at a time.

Lil Rounds delivered vocals and performance that were just as good as Gokey’s – if anything, she probably had the best vocals of the night. So why didn’t I rank her higher? It’s the intangibles that I don’t think she did that well. There was something of a paint-by-numbers aspect to her performance; it just didn’t feel as interesting as so many other of the performances tonight. It may not be completely fair, but we’ve heard this whole R&B diva act one too many times on Idol to be impressed by it anymore.

Adam Lambert gave another classic love-it-or-hate-it performance. I tend towards the latter – there’s too much gimmickry in Lambert’s act for me to warm up to him. I’ll give him credit – I sincerely doubt that the Idol stage has ever seen anyone with a better appreciation of stage presence. If one just listens to his version of Black or White, though… it’s not nearly as impressive. Most of the time, he’s not really singing, but more shouting. Paula’s proclamation of him as a finalist may be premature.

While I’m on the topic of the dramatic – Alexis Grace. The performance part of Dirty Diana was outstanding – I actually preferred the mix of passion and restraint here to the over-the-top hamminess of Lambert – and her vocals were pretty powerful and effective… most of the time. That said, there were spots of oversinging, which Paula was dead-on in spotting. She did well this week, but I’m interested to see if she can do the more subtle stuff.

Of the nine left, we had three classic trainwrecks – Anoop Desai, Megan Corkrey, and Jasmine Murray. The six other contestants had good to okay performances that had some highlights, for sure, but did have other problems.

Matt Giraud was the very definition of okay. Not good, not great, but okay. The vocals were not problematic, but not above-average either. Neither did the arrangement or performance itself stand out. Right now, Giraud is not particularly memorable – and his performance didn’t do much to dispel that. With other fish to fry, he’s safe for now, but one wonders how long that will last.

Both Scott Macintyre and Michael Sarver were roughly in the same boat. They’re both immensely likable people, with well-developed backstories. Unfortunately, they also share vocals that are really only middling, at best. Macintyre sings very well within his range, but it’s extremely narrow. Sarver’s range is better, but he isn’t nearly as good a singer in that range. They both make up for their vocal shortcomings with charisma, likability, and doing their damn best each and every week. They’re probably safe to the tour, but beyond that… I don’t know.

Kris Allen was, again, underrated Remember the Time. Due to another sloppy sound mix we didn’t hear much of the guitar, but he deserves some credit for originality and subtlety – or, at least, trying. Did he deliver? Not completely, to be honest – again, his vocals aren’t as sharp as some as the others – but at least he knows that, and is trying to work around it. It’ll be interesting to see how – and if – he grows as the season goes on.

Allison Iraheta doesn’t perform like she’s 16; she has a confidence and poise that goes far beyond her years. Unfortunately, she still sings like her age. The most common failing of teenage singers tends to be subtlety – or lack of it. They tend to rely almost exclusively on their power; forgetting that subtlety and control can be just as useful. Give it to Me was, like Alone, a power-fest; too often she was shouting the song, not singing it. The end result is a very middle-ranked performance overall. That said, if Iraheta can get the power under control, she has a unique huskiness that could help her stand out. She reminds me of a better version of Amanda Overmyer.

Jorge Nunez followed last week’s throwback ballad with… another throwback performance. The vocals are there, but I don’t think Jorge really has the experience and deep musical knowledge other contestants have had in the past to make use of it. Randy was under-stating things – Jorge is a very old-fashioned singer that doesn’t really blow people away in 2009. Under the old semifinals format, Jorge might have been able to find his footing with three performances before the finals. As it is, he’s still floundering about.

Lastly, our trainwrecks. The word I’d use to describe Megan Corkrey’s version of Rockin’ Robin is… insane. And not in a good way. As in, oh-my-God-what-was-she-thinking insane. Even then, it had a so-bad-you-can’t take-your-eyes-away quality – complete to the faux bird call at the end. The only way it would have been better if this had been what they had used as the bird sounds instead.

However, at least Corkrey was entertaining. I can’t say the same for Jasmine Murray. I’ll Be There made us want to be anywhere but within earshot of her. It sounded like something out of the talent portion of a particularly bad beauty pageant. It wasn’t anywhere near worthy of what was, last I checked, a singing competition.

No “frontrunner” has fallen as quickly – and deservedly – as Anoop Desai. His version of Beat It wasn’t technically bad, but nothing about it made sense. It was well done karaoke, but no karaoke will cut it on the Idol stage. He just can’t pick a song to save his skin. Monica, then Britney, now this? It was so bad, singing the Weird Al Yankovic parody of this song -Eat It – would have been better.

The Idol Guy picks: If there were justice in the world, the Trainwreck Three would be in danger. Easily. Anoop has been a disappointment since the group stages, Jasmine should never have been called back, and Megan is… Megan. None of them will be greatly missed.

However… there’s the tiny little problem that they all have had significant airtime and pimpage. The end result? If you look at the Dialidol numbers, they’re safer than they ought to be. Desai, in particular, is in the top 4! This is the Mighty Mouse effect on steroids.

So, setting aside the question of who should go and replacing it with who will go, the money has to be on poor Jorge Nunez. Yes, he got a decent amount of pre-finals love – but so has the entire top 13 (with two exceptions), so that category is basically a wash. This early, comments from the judges make a big difference – and they basically slammed him. He deserved some harshness, but not that much.

With a top 13, you have to consider the possibility of a dual boot. The one in danger there is probably Murray or Allison Iraheta. The latter’s song choice didn’t really serve her that well, and with her relative lack of pre-show publicity she might not have that strong a fanbase yet. However, on the flip side, Murray was just plain bad. It’s hard to believe she’s winning over any people right now. If gambling on American Idol were legal, I’d call this a pick ‘em spot. Force me to make a choice, though, and I’d say it’s Murray.

However, the hand of producer manipulation is coming into play. MJ has the details on the new “rule” but the short of it is the judges get a one-time veto on the picks. It’s not yet clear what would happen instead – second-lowest goes home, double elimination next week, etc. We’ll all find out when the results show airs, and I’ll talk about it then. However, as far as this week’s elimination goes, there is a good chance it’ll come into play right away – especially if it’s Murray who might go home.

I just don’t understand the love affair the judges (especially Kara) have with Murray. This whole “package” stuff sounds like a bunch of pandering nonsense. All the packaging in the world will not matter if the core – i.e., the singing, is crap. Murray has no future as a singer. However, the judges do like her, and it would not be surprising if they used the veto to save her.

So, the final picks: Jorge Nunez to go home. Jasmine Murray to be saved by veto. If veto sends home next lowest after saved contestant instead, Allison Iraheta goes home as well.

The Los Angeles Screwjob

Wednesday, March 4th, 2009

I’ll have more on the results show much, much later but I have to put this up right away. The Idol wildcard was going to be a bad idea to begin with, and the specter of producer manipulation was hanging over everything like a faulty chandelier.

Now, this may sound like bragging, but: I told you so! I said after the Group 3 performances that if Felicia Barton wouldn’t make it by voting, the producers would never be invited to the wildcard because she was probably a lose-lose for TPTB. Yet, if that wasn’t bad enough, it got worse.

Let’s look at the entire lineup of wildcard picks, separated by Group.

Group 1

  • Ricky Braddy
  • Tatiana Del Toro
  • Anoop Desai

Group 2

  • Megan Corkrey
  • Matt Giraud
  • Jesse Langseth
  • Jasmine Murray

Group 3

  • Von Smith

Let’s consider what we know about each of the group. Group 1 had plenty of hype, but really didn’t live up to it. The surprises there was Braddy coming out of nowhere and surprising everyone, Desai choking, and del Toro being surprisingly okay. That’s fair enough. I have no quibble with the Group 1 picks as is.

It’s the Group 2 picks where things get screwy. Giraud and Murray? Are you freaking kidding me? They were both complete and utter disasters – and whatever the “package” spin is, they can’t sing well. At all. Given the glut of talent in Group 3, only one of Langseth and Corkrey should have made it – and while I say it should be Langseth, most people believe it should be Corkrey. Fair enough – either way, it’s three bad picks out of four. Ouch. And why half of the wildcard picks out of, by universal consensus, the worst group? There should have only been one.

And then we get to Group 3. There has to be more than one pick – and if there was only one pick, why was it Von Smith? Why wasn’t it Felicia Barton? Or Ju’Not Joyner? Heck, even Kristen McNamara was better than Smith. Von Smith wasn’t bad, but it was just okay. It was not wildcard worthy.

The wildcard round is as bad as I thought it would be – if not worse. The producers have clearly decided on what they want – mostly cannon fodder. They don’t want to take any chances of “surprises”. They don’t want a competition; they want a coronation. This was the Los Angeles Screwjob.

They ought to be ashamed of themselves; in a just world they would be walking around the streets of Los Angeles tarred and feathered. In the pantheon of low Idol moments, this is one of the worst I’ve ever seen.

Group 2 Performance Night: Could Things Get Worse? Yes.

Thursday, February 26th, 2009

Last week the hype machine that is American Idol ran aground after the much-hyped Group 1 turned out to be largely ordinary. So things had to get better after that, right? Uh… no. It’s safe to say Group 2 turned out to be even worse than Group 1. Ouch.

Just like last week, it was a case where no one was really great. If anything, it was even worse: we have a hard time calling any of the performances last night good at all. There were good spots in some of the performances, to be sure, but the performances were not really all that confidence-inspiring.

The two performances that seem to be getting a lot of praise from some quarters are Allison Iraheta’s Alone and Adam Lambert’s (I Can’t Get No) Satisfaction. Let’s deal with those one at a time.

Iraheta’s song choice flew in the face of one of the Indisputable Facts of American Idol: the best version of Alone on the Idol stage was, is, and forever will be Carrie Underwood’s. Period. Now, to her credit, Iraheta didn’t do as badly as others have in the past. She commands the stage with an ease that you don’t expect to see this early. Keep in mind she’s doing this at the age of 16 – has any teenager showed better stage presence? Probably not recently, if ever.

That said, Alone is a song that will expose any and all deficiencies in a singer’s vocals. In some spots, Iraheta was shouting that song, not singing it. Even when she was singing it, she was just powering through it with not much subtlety, as if she took a sledgehammer to the song. As far as I’m concerned, Iraheta’s performance is the most overrated of the current AI season.

Adam Lambert… where do I begin? He got things off to bad start for me when he stared a little too deeply into the camera at the start. It reminded us of Constantine Maroulis, which is rarely, if ever, a good comparison. And then the singing itself… well, when he was singing and not screeching, it was pretty good.

The singing is almost irrelevant, though, because of the theatrics. The last time I saw anyone like this would be… Taylor Hicks, in his full Soul Patrol mode. However, for me, it’s about the singing first, theatrics second. The theatrics were so over the top, it distracted from the singing – not enhanced it. Color me not impressed. Unless he proves he can really sing – which I don’t think he did this week – this whole manic act might wear thin sooner rather than later.

If Iraheta and Lambert were over-rated, then I think there were two singers that were actually pretty good – and both tended to get lost in the shuffle. Kara was right, the first half of Kris Allen’s Man In The Mirror, but by the second half it was surprisingly good. It would be interesting to see what he’d do with less nerves, and, maybe, better song choice. Unfortunately, that’ll be unlikely to happen – anothe reason to hate the new semifinal format.

The other underrated performance was Jesse Langeth’s Bette Davis Eyes. Randy was off-base when he criticized her for the limited range – not every singer needs to be Whitney or Mariah who can sing in more octaves than there are fingers in a hand. There’s definitely some real artistry and subtlety there that I just didn’t find elsewhere tonight. Vocally, there were some rough bits, but overall, she did a great job of expressing who she is as an artist – better than anyone else in the group, I thought. Langeth possibly has the biggest overall potential upside of anyone left – if she can make it past this week.

If those four constituted the “best” of the night, then we had four more people in the Muddled Middle. Mishavonna Henson, Meghan Corkrey, Kai Kalama, and Matt Brietzke all turned in the equivalent of musical wallpaper. Brietzke and Kalama’s singing was actually decent, but dull. Henson was, if anything, worse: she was boring and the singing was off in places.

Our biggest disappointment, however, was Corkrey: in a night of boneheaded song choices, she ran into a gigantic land mine when she picked Corinne Bailey Rae. Yes, she did better than the only other person to do Put Your Records On – but when that person is Antonella Barba, there’s no other direction but up. However, the song is something of a trap – it’s not a song which demands a power voice, which makes people think it’s easy to sing. But it isn’t – it’s a very quirky, unique song that works for Corinne Bailey Rae, but not anyone else.

Worst of the night was, easily, the first three singers. Have we Idol viewers ever been subjected to three worse songs in a row to open a show? Jasmine Murray, Matt Giraud, Jeanine Vailes – you three are, collectively, 2009′s first entry into the Sanjaya Zone! Sit beside your fellow inductees Sanjaya Malakar and half of the girls in last year’s top 20 to be “honored” for achievements in musical horror. Songs that didn’t fit, mediocre singing (at best)… let’s not waste any more time. I almost wanted to take a page out of the Elvis playbook and shoot the TV.

What about Nick Mitchell, a.k.a Norman Gentle? He isn’t really playing the same game as everyone else. I never thought I would say this, but: I was glad to see him come on. After the last three disasters, we needed some entertainment – and he was entertaining. Should he go any further? No, but Nick wasn’t playing the same game everyone else was. He’s gold for any comedy club that wants him for the next few months or so. G

Enough about Hollywood week!: The judges – Kara, in particular – seem to love to refer to how the contestants did in Hollywood. Is it too much to ask them to stop unless we viewers at home actually heard what they’re talking about? Thanks to the shenaningans of the editing team, the Hollywood episodes were sadly lacking in actual singing. You’re there, in theory, to give critiques to help the viewers at home. So how can I, and everyone else watching, refer to events we didn’t see at all? It’s ridiculous.

Quick thought about the judges: Media reports have it Paula isn’t particularly pleased by the fourth judge, and Kara is, quote, “disappointed”. Boy, Paula and Kara looked awfully awkward last night, didn’t they?

Up in the air: Well, picking the top guy and top girl is pretty easy: that’ll be Allison Iraheta and Adam Lambert. Both had love-it-or-hate-it quantities – particularly Lambert – but they’ll get enough votes to make it to the finals easily.

The third slot, though, well, just about anyone can make it. I can’t even rule out Normund Gentle. Only Jeanine Vailes is probably completely screwed and out of it. That said, I would like either Jesse Langseth or Kris Allen to make it to the finals – but even if betting on reality TV was legal, I wouldn’t put any money on it. If I had to pick one of the two… Kris Allen, largely because the preliminary What Not to Sing numbers are better for him.

The Idol Guy picks: Lambert, Iraheta, and Allen to advance.