Posts Tagged ‘Jorge Nunez’

Top 13 Results: Fixing What Isn’t Broken

Thursday, March 12th, 2009

In a season where the main complaint has been blatant manipulation by the producers and judges, the hyped “twist” to the rules involves… increased influence by those same individuals responsible for causing the Idolsphere sudden bouts of anger and annoyance. I couldn’t make this up if I tried.

For those who missed the results show, here’s how it goes. From now until the top 5, the judges can decide once to “save” who should be going home. All four judges have to agree to “save” someone, however – it cannot be a split verdict.

The official spin is that this is to meant to stop the “shock boots” – examples given were Chris Daughtry, Michael Johns, and Jennifer Hudson. If you actually believe that, I have a bridge to sell you.

Before I go any further, let’s get this out there: the invocation of Chris Daughtry to justify this rule was completely ridiculous. Last I checked, Daughtry went out at… top 4. According to Ryan Seacrest, the judges can only save someone until the top five. Unless they suddenly changed mathematics – and I wouldn’t put it past the Idol producers to try that – four is less than five. Complete and utter fail.

Back to the meat of the issue. If you’ve been reading us or many of the other Idol writers that actually think and don’t swallow what 19E and Fox PR agents say, you should know by know that shock boots… aren’t, if you know what to look for. These aren’t just made-up reasons either; they’re good, logical reasons why someone would leave.

Consider: Michael Johns got held up as another example of someone leaving too soon, but he wasn’t. I’m frankly mystified that he’s being held up as an example of this super-good singer anyway; here’s what I said about him last year:

he had a tendency to turn songs into flavorless, generic songs that weren’t bad, but couldn’t be described as memorable. There was nothing in his performances that could make you point and say “that’s Michael, right there.”

As for the other cited examples, there were good reasons for those departures too. Jennifer Hudson? Vote-splitting – America wants diversity in its contestants, and she wasn’t in the same league as either Fantasia Barrino or LaToya London. Chris Daughtry? Setting aside the fact that this new rule change wouldn’t apply to him, he had little crossover appeal at the time. Success on Idol is a lot about having just that, and at the time he had precious little. (His Top 4 performances weren’t much to write home about, to boot.)

I could go on a lot longer, and point out why all of these shock boots really weren’t. I could also point out why none of them would probably have won either. In the end, though, what matters is this: in the long run, the Idol voting audience gets it right. They’re relatively unbiased, and I trust them more than I ever would the judging panel.

So, in effect, this rule change is “fixing” something that isn’t really broken anyway. Now, I’m not a paranoid conspiracy theorist, but you don’t have to be one to know the Idol PTB didn’t do this out of the blue. So, let’s take a look: who wins under this setup?

The winner here is obvious: the producers. Again. So far, they’re the only ones winning this season. Everyone else – contestants, viewers, voters – has lost. What does this mean? You guessed it – this is another new and improved way to manipulate the results. Great.

It’s a safe bet that this save will not necessarily be used for the best contestants, but who the producers – and judges – like the most. The likely winners of this are contestants who the judges like, but America may eventually tire of. In short, it’s another way to keep the Pimped in the spotlight for one more week – and hopefully more, since the fanbase of a saved contestant is going to vote like there’s no tomorrow the next week.

The best thing that can be said about it is it’s better than the rumors of a Sing For Your Life-style boot. That would have been an utter disaster; it would turn Idol from a competition into a coronation. I doubt the American viewing public would tune in to that.

We really are in strange times: If you needed further proof of the strangeness of the season, guess who the best judge was last night. You can make a decent case it was Paula. She was a bit over the top for both Danny Gokey and Adam Lambert, but otherwise? She was spot on most of the time. The question of will-she-or-won’t-she-stay is always around Paula, but I like this new-and-improved Paula Abdul.

Speaking of the judges… two points about Simon this week. First of all, it’s one thing to go after contestants; going after families is inexcusable. Yet that’s exactly what Simon did with Kris Allen. It’s not really mentioning Allen’s wife herself that annoyed us, it was the throwaway mention of her, with no care, as if she was just a thing. Really, Simon, you know better than that. Poetic justice would have been either Kris or his wife hitting Simon right on the head with the guitar.

Meanwhile, his comment to Scott Macintyre was an Unintended Learning Moment. That comment about not being “artsy” on Idol… really? I’ve seen plenty of good, artistic performances before. If Simon apparently thinks that artistry has no place on Idol and is more powerful backstage with Nigel Lythgoe’s departure… well, I think we can all say who deserves a large chunk of the blame for what’s happened this year.

Cannon fodder defined: Eliminations this early don’t really require a great deal of analysis. There’s a noticable gap between the good singers who deserve to stay, and those who don’t. This week was no different.

The question with Jasmine Murray isn’t so much why she left now, it’s more like how she got this far. The judges have had this entirely irrational love affair with Jasmine as a “package artist”. It’s obvious why: Jasmine is young, good-looking, likable – she has all the intangibles needed to succeed. Unfortunately, she couldn’t really sing that well. At all. At least America had the sense never to advance Murray. She’s the modern-day equivalent of Leah LaBelle.

What about Jorge Nunez? He was an okay to good singer, but he had a charisma deficit. He just couldn’t engage viewers as well as anyone else. It didn’t help that a lot of people thought his performance on Tuesday night was bad, and the judges didn’t mince their comments. Idolmetrics – specifically, song age – weighed in too. He had the highest median song age of the whole top 13, by a pretty wide margin. At 36.5 years, his only “competition” was Alexis Grace (31.5) and Adam Lambert (31). Grace and Lambert, of course, are actually pretty good. Nunez isn’t in that category.

Oh, and aside here. This crop of finalists is, so far, singing very young. After Lambert, the next highest median song age belongs to Matt Giraud – only 26, and an even lower average of 22.33. Some of it can be attributed to the theme – Michael Jackson is pretty recent, as far as Idol picks go. I still maintain that singing young songs is better, all other things being equal, than old ones. It’ll be interesting to see if this crop can continue this going forward.

Top 13 Performance Night: Lucky Thirteen? Maybe. Maybe Not.

Wednesday, March 11th, 2009

Somehow, doing Michael Jackson for Idol this year seems strangely appropriate. Once upon a time, Michael Jackson was known primarily for his music. When he makes the headlines nowadays, it’s more likely for whatever act of jaw-dropping stupidity he’s done now instead of what he was once very good at, the music. Similarly, most of the Idol-related news of late has not been about the music either, but instead on what illegal drugs the producers are on.

It was, by far, the best show of the season. That’s not exactly saying much, but to be fair it was a watchable episode for all two hours. There were plenty of good performances, and even the trainwrecks were amusing to watch. It helped wash away any bad taste from last week’s sham wildcard show, although I have a very bad feeling that this time tomorrow the whole Idolsphere will be even more pissed at the producers than  last week. (More on that later.)

Best of the night was Danny Gokey. It wasn’t just his good vocals and his good performance that put him here, although it certainly helped. What set Danny apart was that his was possibly the only one last night who was “balanced” – his singing was as good as his performance, and vice versa. Unlike some of the others who turned in somewhat by-the-book and lackluster performances, Gokey gave it his all. Well done.

There were three others who were pretty good, too: Alexis Grace, Lil Rounds, and Adam Lambert. Let’s deal with this trio one at a time.

Lil Rounds delivered vocals and performance that were just as good as Gokey’s – if anything, she probably had the best vocals of the night. So why didn’t I rank her higher? It’s the intangibles that I don’t think she did that well. There was something of a paint-by-numbers aspect to her performance; it just didn’t feel as interesting as so many other of the performances tonight. It may not be completely fair, but we’ve heard this whole R&B diva act one too many times on Idol to be impressed by it anymore.

Adam Lambert gave another classic love-it-or-hate-it performance. I tend towards the latter – there’s too much gimmickry in Lambert’s act for me to warm up to him. I’ll give him credit – I sincerely doubt that the Idol stage has ever seen anyone with a better appreciation of stage presence. If one just listens to his version of Black or White, though… it’s not nearly as impressive. Most of the time, he’s not really singing, but more shouting. Paula’s proclamation of him as a finalist may be premature.

While I’m on the topic of the dramatic – Alexis Grace. The performance part of Dirty Diana was outstanding – I actually preferred the mix of passion and restraint here to the over-the-top hamminess of Lambert – and her vocals were pretty powerful and effective… most of the time. That said, there were spots of oversinging, which Paula was dead-on in spotting. She did well this week, but I’m interested to see if she can do the more subtle stuff.

Of the nine left, we had three classic trainwrecks – Anoop Desai, Megan Corkrey, and Jasmine Murray. The six other contestants had good to okay performances that had some highlights, for sure, but did have other problems.

Matt Giraud was the very definition of okay. Not good, not great, but okay. The vocals were not problematic, but not above-average either. Neither did the arrangement or performance itself stand out. Right now, Giraud is not particularly memorable – and his performance didn’t do much to dispel that. With other fish to fry, he’s safe for now, but one wonders how long that will last.

Both Scott Macintyre and Michael Sarver were roughly in the same boat. They’re both immensely likable people, with well-developed backstories. Unfortunately, they also share vocals that are really only middling, at best. Macintyre sings very well within his range, but it’s extremely narrow. Sarver’s range is better, but he isn’t nearly as good a singer in that range. They both make up for their vocal shortcomings with charisma, likability, and doing their damn best each and every week. They’re probably safe to the tour, but beyond that… I don’t know.

Kris Allen was, again, underrated Remember the Time. Due to another sloppy sound mix we didn’t hear much of the guitar, but he deserves some credit for originality and subtlety – or, at least, trying. Did he deliver? Not completely, to be honest – again, his vocals aren’t as sharp as some as the others – but at least he knows that, and is trying to work around it. It’ll be interesting to see how – and if – he grows as the season goes on.

Allison Iraheta doesn’t perform like she’s 16; she has a confidence and poise that goes far beyond her years. Unfortunately, she still sings like her age. The most common failing of teenage singers tends to be subtlety – or lack of it. They tend to rely almost exclusively on their power; forgetting that subtlety and control can be just as useful. Give it to Me was, like Alone, a power-fest; too often she was shouting the song, not singing it. The end result is a very middle-ranked performance overall. That said, if Iraheta can get the power under control, she has a unique huskiness that could help her stand out. She reminds me of a better version of Amanda Overmyer.

Jorge Nunez followed last week’s throwback ballad with… another throwback performance. The vocals are there, but I don’t think Jorge really has the experience and deep musical knowledge other contestants have had in the past to make use of it. Randy was under-stating things – Jorge is a very old-fashioned singer that doesn’t really blow people away in 2009. Under the old semifinals format, Jorge might have been able to find his footing with three performances before the finals. As it is, he’s still floundering about.

Lastly, our trainwrecks. The word I’d use to describe Megan Corkrey’s version of Rockin’ Robin is… insane. And not in a good way. As in, oh-my-God-what-was-she-thinking insane. Even then, it had a so-bad-you-can’t take-your-eyes-away quality – complete to the faux bird call at the end. The only way it would have been better if this had been what they had used as the bird sounds instead.

However, at least Corkrey was entertaining. I can’t say the same for Jasmine Murray. I’ll Be There made us want to be anywhere but within earshot of her. It sounded like something out of the talent portion of a particularly bad beauty pageant. It wasn’t anywhere near worthy of what was, last I checked, a singing competition.

No “frontrunner” has fallen as quickly – and deservedly – as Anoop Desai. His version of Beat It wasn’t technically bad, but nothing about it made sense. It was well done karaoke, but no karaoke will cut it on the Idol stage. He just can’t pick a song to save his skin. Monica, then Britney, now this? It was so bad, singing the Weird Al Yankovic parody of this song -Eat It – would have been better.

The Idol Guy picks: If there were justice in the world, the Trainwreck Three would be in danger. Easily. Anoop has been a disappointment since the group stages, Jasmine should never have been called back, and Megan is… Megan. None of them will be greatly missed.

However… there’s the tiny little problem that they all have had significant airtime and pimpage. The end result? If you look at the Dialidol numbers, they’re safer than they ought to be. Desai, in particular, is in the top 4! This is the Mighty Mouse effect on steroids.

So, setting aside the question of who should go and replacing it with who will go, the money has to be on poor Jorge Nunez. Yes, he got a decent amount of pre-finals love – but so has the entire top 13 (with two exceptions), so that category is basically a wash. This early, comments from the judges make a big difference – and they basically slammed him. He deserved some harshness, but not that much.

With a top 13, you have to consider the possibility of a dual boot. The one in danger there is probably Murray or Allison Iraheta. The latter’s song choice didn’t really serve her that well, and with her relative lack of pre-show publicity she might not have that strong a fanbase yet. However, on the flip side, Murray was just plain bad. It’s hard to believe she’s winning over any people right now. If gambling on American Idol were legal, I’d call this a pick ‘em spot. Force me to make a choice, though, and I’d say it’s Murray.

However, the hand of producer manipulation is coming into play. MJ has the details on the new “rule” but the short of it is the judges get a one-time veto on the picks. It’s not yet clear what would happen instead – second-lowest goes home, double elimination next week, etc. We’ll all find out when the results show airs, and I’ll talk about it then. However, as far as this week’s elimination goes, there is a good chance it’ll come into play right away – especially if it’s Murray who might go home.

I just don’t understand the love affair the judges (especially Kara) have with Murray. This whole “package” stuff sounds like a bunch of pandering nonsense. All the packaging in the world will not matter if the core – i.e., the singing, is crap. Murray has no future as a singer. However, the judges do like her, and it would not be surprising if they used the veto to save her.

So, the final picks: Jorge Nunez to go home. Jasmine Murray to be saved by veto. If veto sends home next lowest after saved contestant instead, Allison Iraheta goes home as well.

Group 3 Performance Night: Cannon Fodder Outperforming Predictions

Wednesday, March 4th, 2009

It seems the the Idol gods work in funny and mysterious ways. The most hyped group – Group 1 – turned out to be a giant disappointment and flopped pretty badly. Group 2 was more of the same – with the added twist of more than a few favorites turning out to be failures.

And somehow, out of the giant pile of cow dung that has been Season Eight so far, it produced one of the better group rounds that Idol has seen. That may seem like faint praise, but it isn’t: group rounds have, and always will be, rough shows. (I’d extend that rule to all semifinal shows, but they have given us some good showstoppers in the past – like Hello.)

One can’t help but think, however, that the producers knew exactly what they were doing with this group. Save for Lil Rounds, this group was known more for backstory than singing ability. The genre-savvy of us will know exactly what that means: this group was designated to be the good cannon fodder. It had the singers who could sing, but whom TPTB didn’t really want to advance. There’s a giant bit of irony in that the “cannon fodder” outdid every other group.

Fully a third of the performances were, in our book, very, very good. Best of the night: Lil Rounds. No great surprise there, but it was legitimately excellent, unlike the unconvincing wins of the last two weeks. There’s an element of predictability in her song choice, but that’s not bad in the first performance out. Great vocals, and the Idol stylists have had their way with Lil and made her look current – which she didn’t before. Well done.

For someone who got turned down for the Top 36, Felicia Barton did really, really well. Alicia Keys songs are never easy to do in the best of times, and will eat lesser singers alive.  Barton made a very good go at it, and made us wonder: what were the judges thinking in Hollywood? There must have been something in the air in that mansion. Well done – but more on her later.

Jorge Nunez really set himself a difficult task by picking a song – Don’t Let The Sun Go Down On Me – that’s been sung by four Idol second placers. It’s a long time into the future before we’ll know if Nunez will make it five, but what’s clear is: he sung the song very well, and his vocals were up to the task. The crying at the end will win a few sympathy votes, but he really didn’t need it.

Scott Macintyre has easily the most compelling back story (to me, anyway), and he proved up to the task (mostly) with Mandolin Rain. The vocals were mostly good – if rough in parts – but there’s a unique quality in his voice that elevates him above the rest. It may not be politically correct to say so, but I’ve always wondered if Macintyre’s blindness would affect his performance abilities. For now, that doesn’t appear to be an issue.

The next four singers ranged from decent to okay, but at least didn’t give us any reasons to cringe in horror. I actually suggested Hey There Delilah as a good song choice for Jason Castro last year, so I found Ju’Not Joyner’s choice of it interesting. I applaud him for putting a unique spin on the song, but the vocals were not always there. A good effort, but I can’t elevate him to join the top 4 because of the singing.

Kristen McNamara was another pleasant surprise, since she’s been more known for drama than actual singing. Give Me One Reason was a lot more interesting than the singing itself deserved, and that was entirely due to McNamara’s personality. Not the greatest song choice, but definitely entertaining.

Kendall Beard wanted to grab the slot that country artists seem to have reserved every year, but Martina McBride was not the smartest choice. Martina’s voice is a fair bit lower than Beard’s, and as a result it didn’t sound right at all. What we did hear was okay, but it didn’t show off her talents.

Von Smith laid off the over-singing, but to be honest there really wasn’t much else in the performance. It was okay – not a train wreck – but nothing else to remember.

Of  course, with semifinals comes disasters – and we had four of them.

I Would Do Anything For That (But I Won’t Do That) has to be as a weird song choice, even for Nathaniel Marshall. Technically, it has been done on the Idol stage, but only during a results show – by Meat Loaf and Katharine McPhee. After this performance, I hope I don’t have to hear it for a while. Duets translated into a one-singer song rarely work well.

Alex Wagner-Trugman, to be blunt, was awful. Forget the knocking-down-the-microphone-stand bit, the singing was just so-so – until he started growling, which made it awful. It sounded like a parody of a singer, not someone actually singing.

Both Taylor Vaifanua and Arianna Afsar had the same problem – they took on big songs and were simply overwhelmed. It’s a cautionary tale to all the teenagers out there: just because you can hit – and hold – a high, powerful note for a long time does not make you a good singer. Afsar, in particularly, would have been interesting to hear from – a few years down the road. As it is, though… no.

What a mess this is going to be: The nightmare of the group rounds was good singers going home because they were in a Group of Death, while worse ones advanced due to lucky placement.

Well, something like that has come to pass. Easy picks first. Lil Rounds and Scott Macintyre are easily through. They both did well, and with the healthy amount of early time they both got they have solid fanbases that should do well.

Because of the glut of talent in this group, there are an awful lot of choices for the third slot. Felicia Barton was not only good, but she’ll have an awfully inspired fanbase (if a small one, because it’s still quite early). They’ll be voting hard to rectify the perceived insult TPTB inflicted on Felicia by leaving her out of the Top 36. Jorge Nunez’s was not only good, but will pick up some sympathy votes as well.

One person who could play spoiler is Ju’Not Joyner. He was good enough that he’ll keep it reasonably close to the front runners, and praise from the judges always helps. Ask Michael Sarver.

Had he been in Group 2, I wouldn’t mind him advancing, but in this group there are at least two singers – maybe a few more, in fact – who sang better, or have more potential. He should be in the wildcard, but not advance directly.

I really, really, hope that Felicia Barton makes it. I am genuinely afraid that if she does not make it this time, she will not even be invited to the wildcard. Yes, America, the producers could be that blatant.

Here’s why. The producers do not appear to be fans of Barton; they didn’t even consider her top 36 material! If she’s invited back, there’s a good chance the producers will look like complete and utter idiots: either she reprises No One, which will probably be pretty good (even if reprises never do as well as the original), or she pulls out another showstopper that everyone will remember – like Hello for David Cook, You’re So Vain for Brooke White, Whipping Post for Bo Bice, Moody’s Mood for Love – songs that almost single-handedly put people in contention for winning. Barton certainly seems capable of pulling off something that good.

Would the producers really risk that? I don’t think so. Given how everything that has been done so far, this season, has increased the amount of behind-the-scenes manipulation, inviting Barton back is almost a no-win proposition. It would only distract from the coronation of the Chosen One, whoever that ends up being.

Not picking Barton would perhaps be the most disgraceful decision of a season full of them. Felicia not only deserves to go through, sending her through would be nothing short of the proverbial middle finger to the producers – the Idolsphere has had enough of your “rigging”, and we wil not take it anymore.

The Idol Guy picks: Rounds, Macintyre, and Barton to advance.

A final note about the wildcard: Rumors abound that this week’s wildcard will not have any original songs. I’ve never been happy with the wildcard to begin with, but replays would turn into a bad idea into a farce.

If the producers are stupid enough to do that, I won’t bother covering the wildcard. I’ll note the results, but that will happen next week, not this week. If I wanted to watch replays, I’d go MJ or Rickey. It’s something that all Idol fans should consider. If we are unhappy with the decisions being made, let’s make our voices felt in the way that’ll be heard loud and clear: ratings.