Posts Tagged ‘Performance night’

Top 7 Disco Night: Evasion Maneuvers

Wednesday, April 22nd, 2009

Conventional Wisdom had it that disco night would not go down well. After all, with the exception of Adam Lambert, none of the group was particularly qualified to handle the… unique aspects of disco music.

As it turned out, however, the whole Top 7 was taking a correspondence course from the Lewis-Cook School of Theme Avoidance. Did anyone really do a straight-up disco night? They didn’t, and that was a great example of musical savviness that we haven’t seen much of this year… up until last night.

Best of the night – surprisingly – was Kris Allen. It was definitely not the standard way to do She Works Hard For the Money – but it worked brilliantly. It was a very relaxed, laid-back vibe to the song that reminded us of of a Jason Castro on good form. As Kara said: it’s hard to believe it was a Donna Summer original. Well done, and perhaps his best performance to date. It’s a pity, though, that the judging was full of references to cross-dressing – which was a distraction, to say the least.

Adam Lambert was supposed to be the best at disco music, but curiously he went back to his restrained self with If I Can’t Have You. It was a good performance – controlled vocals, good job with the emotions… but style-wise it was quite similar to his earlier ballad efforts. (Note: since the Top 11, Adam has always alternated his pace – a fast song one week, then a slow one the next.) Still, overall, a good effort, not what people expected… maybe not what he should have done. It still gets the second best performance of the night, though.

It’s pretty clear that one’s opinion of Allison Iraheta’s Hot Stuff depends on what one thinks of the arrangement. I thought it was okay – though it seemed to have suffered even more than usual at the hands of the Idol editors to fit it in the allotted time. Still, the vocals were in the same league as Adam or Kris, but it just wasn’t as well put together. Great effort, but just a bit short.

Danny wins the dubious award of Most Overpraised performance of the night. It wasn’t a bad performance per se, but all that praise had me wondering if the judges and me were in the same universe. (Except for Simon.) It didn’t sound particularly stand out to me vocally, and the whole performance smacked of extremely well-done karaoke.

Matt Giraud improved over last week… but that’s not saying much. Like Danny, Matt’s version of Stayin’ Alive wasn’t the most original or groundbreaking performance around. It was decent, entertaining… and not much else.

That’s better than could be said for Anoop Desai, though. It was… strange. The vocals weren’t bad per se, it just that it didn’t fit together into a coherent song very well. Like Danny again, this felt like karaoke – except that it wasn’t even good karaoke, with a strange arrangement.

Lil is again occupying the cellar with I’m Every Woman. It wasn’t as execrably bad as some of her other efforts have been, but… this was the most karaoke of karaoke performances. It was a classic case of making up bad singing with energy – but that’s something which just shouldn’t be the case this deep into the competition. Not good enough for any stage of the finals, let alone past the halfway point.

Overall, it was a pretty decent night. The top three really stood out and made their presence felt. They took what might have been a difficult theme and made it work pretty well for them. Even the rest of the field was decent, and even the “bad” performances like Anoop and Lil weren’t utter trainwrecks; they may not have made much sense (musically), but the vocals weren’t decent. This week was the first sign of life this season has seen in a while. (I’ll have more on this for our full-up analysis piece later in the week.)

Double Trouble: Honestly, if you read last week’s ranking this week shouldn’t have come as much of a surprise. Within reason, those who have been good up to this date stayed good, while those who were bad stayed awful.

The obvious pick to go home is Lil. She was no good this week, and she’s been in the bottom three for two past weeks. It’s time for her to go home.

As for the other slot… it’s either going to be Anoop or Matt. That one is pretty clear. It’s going to be another fanbase battle, and I have to give the advantage to Matt there: his fanbase is probably the most energized in Idol history. Getting saved by the judges produces what is essentially a bottom three bounce writ large.

Anoop, on the other hand, was not as good as Matt (although, to be fair, not a lot separated them), and just as importantly his fanbase has not really been there: even when he’s been good of late he’s ended up in the bottom three. This week, without even the benefit of a good performance to save him… his time is up.

The Idol Guy picks: Anoop and Lil to go home.

Top 7 Performance Night: And The Trainwreck Goes To…

Wednesday, April 15th, 2009

One thing we’ve learned this season is to keep expectations… low. It’s more than halfway through the season, and I haven’t really been blown away by any of the performances to date. Right now, I (and, I’d guess, more than a few of you) have a tough time caring.

Adam Lambert might as well have chosen his theme song with Born To Be Wild. Translation: it was more than a bit indulgent. It was decently done, but it didn’t have the polish Mad World have. It was, if anything, his worst performance since Ring of Fire. It reminded me of a not-as-good version of Play That Funky Music – same frenetic pace, same kind of a crowd-pleasing, same vocals that were just okay. Not his best, but not his worst by a decent distance either.

Shockingly, though, Adam didn’t have the strongest Your Mileage May Vary factor last night. It was the likable – and, in the past, uncontroversial Kris Allen. Falling Slowly was not the vocal masterpiece of the night, but it didn’t have to be. Kris’s strength has never been his vocals, but his ability to connect emotionally with his songs. He did well in that category last night, but… I think he gave up too much of the vocals last night. Objectively, the vocals were fair to middling. If the vocals had been just that much better, he would have owned the night. (Not that it would have taken much.) As it is, though, he did well for the night – but he missed out on a golden opportunity.

Anoop Desai singing another power ballad is not the most original thing in the world, but at least he’s reasonably competent at it. As it tends to be, the vocals are always pretty decent… if somewhat paint-by-numbers. To his credit, the emotion was there in spots, but not consistently there. He was fine in the “glory” spots, but there was room for improvement in between. Guess which one has more time.

After those three, it goes downhill. Everyone else was, at the very least, flawed – to downright bad. Allison Iraheta’s song choice was, to be honest, a little predictable. Rock song, check. Needs a big voice, check. From a movie, check. Good choice? Uh, no. David Cook tried this last year, and even he couldn’t make a really good performance out of it. (To be fair, that wasn’t because he chose the song – it was assigned to him.) It’s a big song, and it was too big for Allison. It just didn’t work. The vocals weren’t bad, but it’d be a stretch to call it good either. So-so at best. Note to future Idol would-be rockers: avoid I Don’t Want To Miss A Thing. This is not something you want to sing on the stage.

Give Danny Gokey an A for effort on Endless Love. The vocals, though, not so much. The song, as Danny did it, needs subtlety, finesse, and Danny had… none of it. He took a bulldozer to the song. Danny worked hard this week, but maybe he should have stopped to consider if his goal was the right one. It wasn’t, not by a long shot.

Matt Giraud made a decent effort to win the Golden Trainwreck of the night. The vocals were not impressive – it was kind of dull and boring all night long. More than that, though, if you’re going to pick a song like Have You Ever Really Loved a Woman, you need to connect with the emotions of the song. Matt didn’t come close to that at all.

The Golden Trainwreck, however, goes to Lil Rounds. For a singer whose supposed specialty is in the power runs, glory notes, etcetera that Idol loves to drop on its R&B contestants, she was surprisingly mediocre. It was unbelievably dull. By itself, though, that would not have enough to get her the Golden Trainwreck – but teeing off on Simon did. “Putting her own bit in it”? So is her specialty putting people to sleep? Foot, meet mouth. That was not her finest moment on the stage.

Overall, though, the results were pretty dismal. After this week, there are only five weeks left. Yet the overall caliber of the performances was something I’d expect in February or March, when the season was starting – not in mid-April, when the season is getting “down to the wire”.

Not thinking things through: Lately it seems to be Amateur Night is reigning over at 19E – and rarely was this more obvious than last night.

Everyone knew that adding Kara to the judging panel would cause timing issues. Either more time would have to be spent on the judges, or Paula, Randy, and Simon would all have to learn to talk less – an unlikely proposition. Either way, the show’s producers and director would have to compensate.

However, it took widespread outrage after Adam Lambert’s Mad World was cut off after Idol ran long last week before the Idol PTB decided to act. And their response? Why, let’s make our judges do even less work! Did anyone really like the alternating-judges act? As it is, it sounds like a last-minute kludge that was cooked up at the last minute. Any one who’s watched the show closely at all knew what would happen, but apparently the Well-Paid Professionals at 19E didn’t figured that out. American Idol is in the best of hands.

Of course, the biggest Amateurism of the night was picking Quentin Tarantino to mentor. I don’t doubt that he’s a colorful guy, and he understands the dramatic impact of music, but… he knows absolutely nothing about producing music. That, fundamentally, is the role of the mentor. It’s no coincidence that the better mentors tend to be those that are involved in music production (Barry Manilow, David Foster) or those who have been in the industry long enough to learn at least some material by osmosis.

Quentin Tarantino was neither. For all his enthusiasm, it was clear that there wasn’t much “operational”, detailed advise he could offer. He’s a movie director, not a music producer. Step aside, Gwen Stefani – there is a new “champion” for the worst Idol mentor ever. This was something that many, many people could have guessed – but, apparently, 19E missed the boat on this again. Is anyone with a brain cell running things over there?

A wide-open field: With so many bad performances, it’s hard to really call anyone perfectly safe. Adam is almost certainly safe, but Danny was so disappointing him showing up in the bottom three would not be a shock.

The likeliest boot candidates here are Matt Giraud and Lil Rounds. For both of them, it comes down to fanbase strength. They were both sufficiently bad that casual voters aren’t going to give either of them any meaningful boost in the votes. It ultimately comes down whose fans hit the phones harder last night.

Lil’s tirade against the judges will certainly hurt her in the long term (if she lasts that long), but this week it probably spurred on her (limited) fan base to vote like mad. Given how week Matt was, the needed boost to escape survival isn’t that large. That could very well have put Lil over the edge to survive.

So…

The Idol Guy pick: Matt Giraud to go home.

Top 8 Performance Night: Things Could Only Get Better, Right?

Wednesday, April 8th, 2009

After last week’s disaster/fiasco/catastrophe, things could only go up. Way up. Year You Were Born, however, wasn’t quite a masterpiece of a night. It had its high – and low – points, but a smooth ride? Nope. Not even close. Still, in Idol-land, all we fans can ask for is a semi-decent night. Last night was that, but not much more.

Best of the night, by a pretty far margin, was Adam Lambert. The ridiculous lighting for Mad World aside, everything came together for Adam tonight: his vocals were up to the job, he was able to connect with the song’s emotions, and he didn’t let the theatrics get in the way of the music. Easily Adam’s best performance of the season, and possibly the most well-rounded one of the season to date.

Second-best, by a pretty decent margin herself, was Allison Iraheta. Her vocals are always going to be on; she made a pretty good song choice as well. It was an emotionally loaded song that she pulled off with the requisite amounts of believability; this was perfectly, and completely, believable. Well done.

Anoop Desai is reminding us a lot of Phil Stacey from Season Six: when he’s good, he’s very good – but he is just as capable of dropping a clunker. Fortunately for us, he was in the former mode this week. It was a solid, well-sung performance. It didn’t quite have the special “X-factor” that elevated both Allison and Adam, but it was well-executed and pretty good to listen to.

Matt Giraud and Danny Gokey faced a similar problem: they were both saddled with difficult, complex, bordering on the nonsensical arrangements that did them no favors. This was the Idol equivalent of walking into a gunfight with a spork. On pure vocals, Matt was probably a little better, but he also had, by far, the worse arrangement. More often than not, despite his okay signing, he had me scratching my head thinking, “what was that?”. There’s a lot of your-mileage-may-vary for these two – as it is, both can only be put in the “okay” category, and some might say I’m being a bit generous.

From there, though, it gets a little ugly. Kris Allen had the momentum coming into this week… but lost an awful lot of it this week. Memo to all future Idol contestants – this idea of starting in a mini-stage in the mosh pit is dumb beyond words. It didn’t work for Matt last week, and it didn’t work this week for Kris either. It was competently executed, but there was a vague paint-by-numbers feeling to it. There was no excitement, no passion, no emotion. Musical wallpaper is how I’d describe it.

Lil Rounds… oh boy. What in the world was that? Has Lil made one good song choice since the finals? Again: she couldn’t sing as well, or as artfully, as the original (Tina Turner). It was just an utterly dull, meandering performance that was, well, nothing. Easily her worst performance to date.

And then we get to Scott Macintyre. It’s never a good idea to sing a song that has any connotations of ending, finishing, etcetera, on Idol. It’s tempting the Idol gods, to be honest. And boy, did they come down hard on Scott. The electric guitar was just… out of place. And then we get to the vocals… no. Just no. He did his best, I’m sure, but this was a clear disaster.

Tempting the Idol gods: The “obvious” pick to get eliminated is Scott. He’s been steadily slipping throughout the finals, showed up in the bottom three two weeks ago, and turned in a complete and utter trainwreck Tuesday night to boot.

However… there’s a distinct possibility that the Mighty Mouse effect could be in play here. The only real solid fanbases right now that are strong enough that I won’t call vulnerable is Adam’s and maybe Danny’s. They’re not going to end up in the bottom three. The rest of the field is weak enough that they can be beaten by Idol voting patterns, regardless of how good or bad they are.

While it may be possible, I don’t think it’s probable here. If Scott had showed any signs of becoming more competitive, I’d be more open to the possibility of one – but right now, I think Scott’s fanbase is so weak that frantic power-voting or not, he’s going home.

Just like last week, the more interesting story is in who ends up beside Scott. The obvious suspect here might well be Lil, who has been just that bit better than Scott so far – but not by much. However, if DialIdol is to be believed, Anoop and Kris might find themselves in danger there – both, in fact, are lower than Scott in their ratings. DI isn’t the be-all-and-end-all of Idol predictions.

Kris might not be strong enough to escape the bottom three, but one so-so performance is probably not going to send him home. Meanwhile, Anoop was actually pretty good last night, so him going out right now seems unlikely too. Given the wide margin-of-error this week, I’m not as convinced of DI’s utility this week.

So, ultimately, the pick is:

Scott Macintyre to go home.

Top 9 Performance Night: April Snooze Day

Wednesday, April 1st, 2009

Due to the wonders of timezones and the International Date Line, this week’s episode of American Idol came to us on April Fool’s Day. Unfortunately, this week’s singing felt like a prank that had gone awry.

The only one who really shined was Kris Allen. He may not have had a lot of hype coming into this week, but Ain’t No Sunshine fixed that perfectly. His singing was spot-on; he connected with the audience and the song’s emotions. Kris isn’t a vocal powerhouse, but he definitely made the best of what he does have. This week and last were both very, very good for Kris – he is rapidly becoming the person to watch out for in this field.

Adam was, well, Adam. He does what he does very, very well. (And kudos to him for singling out Rickey Minor for praise.) Over the top, as usual, but subtlety is not usually part of the Adam Lambert performance. Overall, it was pretty entertaining, and better than most this week, but – Mick Jagger? Steven Tyler? Really? That’s a stretch, to put it mildly. Somewhere between okay and good, but not worthy of the comparisons and praise it’s getting from Paula and Kara.

Danny Gokey’s version of What Hurts the Most. It’s a pretty emotional song, and Danny was able to express that pretty well. That said, the vocals were not that good. The power was not there; he was straining in far too many parts. It was a great effort, but the singing was just not good enough for this to get ranked any higher.

Scott Macintyre made a good song choice in Billy Joel’s Just The Way You Are. Of course, it would have sounded better if Scott hadn’t given the AC treatment to just about all of his performances to date. He was able to connect with the song and gave a decent version of it – however, there’s a catch. It didn’t do much to hide his basic flaws of limited range and power – he did what he could, but he’s just not as good.

Allison Iraheta made the classic mistake of picking a song she liked as opposed to something that suited her. Don’t Speak isn’t a song which, in our opinion, doesn’t translate well live. Note to future Idol contestants: avoid this song. Please. Allison’s vocals were okay, not great, but there was only so much she could do with this song. While the judges spent too much time talking about her wardrobe, I have to agree it was a bit much. Decent vocals with, well, clashing visuals all put her right in the Mediocre Middle.

Doing Celine Dion on the Idol stage is… ambitious, to say the least. Unfortunately, it was yet another case of being too ambitious for Lil Rounds. The glory notes did show off Lil’s power, but the rest of it was bordering on the terrible. Lil is definitely not playing to her strengths. It doesn’t help that she loves to pick songs by very good singers, but she’s not quite in the same league vocally. She’s not in danger right now, but if she keeps up at this level she’ll be gone sooner rather than later.

I know the song is called You Found Me, but I didn’t realize that much of the song had just as lyrics. I’m not familiar enough with the original to compare, but what I do know is that there was nothing compelling about Matt Giraud’s performance. Wooden, middling vocals, no connection to the audience… he’s taken whatever gains he had from So Small and utterly thrown it away. And starting in the mosh pit, but with a keyboard? What was that?

Anoop Desai has a good enough voice to avoid major trainwrecks – in won’t have people at home cringing in horror at how bad the singing is. However, that’s no assurance of the overall performance making sense. Anoop just hasn’t figured out how to do a “fast” song yet – when he does, he crashes and burns. Badly. This was at about the same level as Beat It a few weeks ago – if anything, it was even worse. Ouch.

Worst of the night was Megan Joy. She pulled the “song I really love” line again… with predictably bad results. At this stage, I don’t know if there’s really anything she can do decently – she’s not that good a singer, and even if she was she’s too quirky to pick songs for easily. Whatever the case, she was definitely the worst of the night.

Overall, it was easily the worst night of the finals. Only one really good, high-quality performance from Kris; a couple of okay-to-good ones from Adam and Danny; a lot of so-so songs, and Anoop and Megan occupying the cellar with strange song choices. Setting aside Kris’s great performance, I couldn’t help but thinking something along the lines of, “that was it?” There was an awful lot of musical wallpaper that could put listeners to sleep if they were tired after a long day.

They never make it easy, do they: With relatively few good performances this week, the number of people I’d call truly safe would fall essentially into two categories: those with large, pre-existing fanbases and those who were at the very top of their game. This week, the total membership of the truly safe group is three: Adam Lambert, Danny Gokey, and Kris Allen. Anyone else could visit the bottom 3 and I’d find it completely plauisble.

That said, our pick to go home is Megan. Her uniqueness and quirks may have won her fans right at the start, but the four performances since the finals have been the Idol version of Chinese water torture for a fanbase. You can’t perform that poorly for a month and not lose fans – or, at least, lose ground to other fanbases.

The real shocker could be who’s standing beside her. Matt Giraud already made his bottom three appearance last week, so he could be the beneficiary of a bounce this week – his bad performance notwithstanding. Don’t be surprised to see Anoop or Scott take their spot beside Megan – they’re both a little vulnerable right now, and Anoop has not been in the bottom group before. A shock boot is probably not in the cards, but a warning shot probably is.

The Idol Guy pick: Megan Joy to go home.